2010全国硕士研究生入学统一考试(英语一)试题
Directions:
Read the following text. Choose the best word（s） for each numbered blank and mark [A], [B], [C] or [D] on ANSWER SHEET 1. （10 points）
In 1924 American' National Research Council sent to engineers to supervise a series of industrial experiments at a large telephone-parts factory called the Hawthorne Plant near Chicago. It hoped they would learn how stop-floor lignting__1__workers productivity. Instead, the studies ended __2___giving their name to the “Hawthorne effect”， the extremely influential idea that the very___3____to being experimented upon changed subjects' behavior.
The idea arose because of the __4____behavior of the women in the Hawthorne plant. According to __5____of the experiments, their hourly output rose when lighting was increased, but also when it was dimmed. It did not __6____what was done in the experiment; ___7_someting was changed ,productivity rose. A（n）___8___that they were being experimented upon seemed to be ____9___to alter workers' behavior ____10____itself.
After several decades, the same data were _11__ to econometric the analysis. Hawthorne experiments has another surprise store _12 __the descriptions on record, no systematic _13__ was found that levels of productivity were related to changes in lighting. It turns out that peculiar way of conducting the experiments may be have let to__ 14__ interpretation of what happed.__ 15___ , lighting was always changed on a Sunday .When work started again on Monday, output __16___ rose compared with the previous Saturday and__ 17 __to rise for the next couple of days.__ 18__ , a comparison with data for weeks when there was no experimentation showed that output always went up on Monday, workers__ 19__ to be diligent for the first few days of the week in any case , before __20 __a plateau and then slackening off. This suggests that the alleged“ Hawthorne effect ” is hard to pin down.
1. [A] affected [B] achieved [C] extracted [D] restored
2. [A] at [B]up[C] with [D] off
3. [A]truth [B]sight [C] act [D] proof
4. [A] controversial [B] perplexing [C]mischievous [D] ambiguous
5. [A]requirements [B]explanations [C] accounts [D] assessments
6. [A] conclude [B] matter[C] indicate [D] work
7. [A] as far as [B] for fear that [C] in case that [D] so long as
8. [A] awareness[B] expectation [C] sentiment [D] illusion
9. [A] suitable[B] excessive [C] enough [D] abundant
10. [A] about [B] for[C] on [D] by
11. [A] compared [B]shown [C] subjected [D] conveyed
12. [A] contrary to [B] consistent with [C] parallel with [D] pealliar to
13. [A] evidence [B]guidance [C]implication [D]source
14. [A] disputable [B]enlightening [C]reliable [D]misleading
15. [A] In contrast [B] For example [C] In consequence [D] As usual
16. [A] duly [B]accidentally [C] unpredictably [D] suddenly
17. [A]failed [B]ceased [C]started [D]continued
18. [A]Therefore [B]Furthermore [C]However [D]Meanwhile
19. [A]Attempted [B]tended [C]chose [D]intenced
20. [A]breaking [B]climbing [C]surpassing [D]hiting
Section II Reading Comprehension
Part A
Directions:
Read the following four texts. Answer the questions below each text by choosing [A], [B], [C] or [D]. Mark your answers on ANSWER SHEET 1. （40 points）
Text 1
Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. Not only have many newspapers done away with their book-review sections, but several major papers, including the Chicago Sun-Times and the Minneapolis Star-Tribune, no longer employ full-time classical-music critics. Even those papers that continue to review fine-arts events are devoting less space to them, while the “think pieces” on cultural subjects that once graced the pages of big-city Sunday papers are becoming a thing of the past.
It is, I suspect, difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century, including Virgil Thomson's The Musical Scene （1945）， Edwin Denby's Looking at the Dance （1949）， Kenneth Tynan's Curtains （1961）， and Hilton Kramer's The Age of the Avant-Garde （1973） consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their erudite contents were once deemed suitable for publication in general-circulation dailies.
We are even farther removed from the discursive newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.1 Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men （for they were all men） believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism,” Newman wrote, “that I am tempted to define 'journalism' as 'a term of contempt applied by writers who are not read to writers who are.‘”
Why, then, are virtually all of these critics forgotten? Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England's foremost classical-music critics, a stylist so widely admired that his Autobiography （1947） became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. How is it possible that so celebrated a critic should have slipped into near-total obscurity?
21. It is indicated in Paragraphs 1 and 2 that
A arts criticism has disappeared from big-city newspapers.
B English-language newspapers used to carry more arts reviews.
C high-quality newspapers retain a large body of readers.
D young readers doubt the suitability of criticism on dailies.
22. Newspaper reviews in England before World War 2 were characterized by
A free themes.
B casual style.
C elaborate layout.
D radical viewpoints.
23. Which of the following would shaw and Newman most probably agree on?
A It is writers' duty to fulfill journalistic goals.
B It is contemptible for writers to be journalists.
C Writers are likely to be tempted into journalism.
D Not all writers are capable of journalistic writing.
24. What can be learned about Cardus according to the last two paragraphs?
A His music criticism may not appeal to readers today.
B His reputation as a music critic has long been in dispute.
C His style caters largely to modern specialists.
D His writings fail to follow the amateur tradition.
25. What would be the best title for the text?
A Newspapers of the Good Old Days
B The Lost Horizon in Newspapers
C Mournful Decline of Journalism
D Prominent Critics in Memory
2010全国硕士研究生入学统一考试(英语一)试题的延伸阅读——复习英语要讲究技巧
一，重视单词。
从第一天开始复习到考试的前一天，考试大纲词汇就应不离手，因为这是一切的基础。考试大纲是命题专家出题的依据、基础，所以考生一定要重视。背单词时，可以总结同义词、一词多义以及包含“高级”短语的句子，然后跟同桌的研友们对话，或者“厚颜无耻”地主动向他们“炫耀”，同时也坚持参加英语辩论活动，把自己最新积累的词句一一“亮”出，这样考生会感觉记得特别牢固。
二，日积月累。
作为一门语言，充满了繁琐与细节的，想一口吃成大胖子是不太现实的，必须耐心地积累“量变”以求“质变”。学习英语的时间安排也是有规律可循的，如果你一天安排3个小时学英语，那么与其一鼓作气学3个小时倒不如改成上下午各1.5小时。持续学习、及时复习才能收到较为理想的效果。可以参照着名的“艾宾浩斯遗忘曲线”来合理安排时间，最大限度地降低遗忘率，以获得较好的学习效果。
三，研读真题。
历年考研英语全真试题是了解考研水平的最快途径，也是熟悉命题规律的唯一途径。所以要在老师的指导下分阶段复习考研英语真题。找一个安静的环境，先用一周的时间做一套真题，做完后，对自己的错题先看一下怎么错的，错在哪里，能不能解决。剩下的时间要分析题型，也就是看这些题目是属于细节题、推理题，还是主旨大意题……当复习完十年的真题，建议考生放20天左右的时间，重新再做真题，分析自己的做题思路，考前一个月适当做些高质量的模拟题练练手。另外，希望考生真题至少看三遍。第一遍先做，做完之后归纳总结错题的原因。第二遍主要精读文章解决单词句子翻译。第三遍前两遍的内容都要看。
四，增加课外阅读。
课外阅读在考研英语复习中占有重要地位，对提高成绩有很大作用，建议大家订一份《英语世界》杂志，阅读上面的文章，也会有不少收获。如果有条件，看看自己学校图书馆是否有这本书，有的话坚持看，肯定会有收获的！
希望以上的介绍对2013的考研同学有所帮助，另外，大家在学习英语学习方法时，要从自身实际出发，选择真正适合自己的复习方法。 | 
